South Dallas Cultural Center Reborn
“Where The Black Experience Is More Than A Slogan.” Those bold words ring ever so true at the renovated South Dallas Cultural Center, so beloved in the community. You can’t manufacture love, so you can bet there’s a back story.
In the 1970s, from a group of community activists who had been moving from recreation center to recreation center and church to church for their meetings, two leaders emerged. Elaine Thornton and Artist Thornton, both dramatic actors, took the bull by the horns and called city officials to task about the need for a cultural center in South Dallas. This was not an unusual request because cultural leaders from other parts of town always similar requests. But as the old folks use to say, “There’s often a long distance from the wantin’ and the gettin.”
A $1.5 million city bond measure finally passed in 1982 to build the South Dallas Cultural Center (SDCC). The 18,000 square building was completed in 1985 and opened in early 1986 with Pat Johnson as its first Executive Director. A welcome change from the vagabond days, Black cultural groups embraced the 24,000-square foot facility’s black-box theatre, visual arts gallery, dance studios, ceramics studio, printmaking studio, and photography studio. But in the first two years of Pat’s tenure, programming was slanted towards multi-cultural use, even though African Americans were and are the dominant group in its district. As expected, community outcry rose to expand Afrocentric programming. SDCC adapted.
Leslie Evans became the next Executive Director from 1988-1991 and signicantly expanded Afrocentric programming. Leslie was followed by Mitti Jordan 1991-1997, who further increased Afrocentric programming at SDCC. In 1997, Vicki Meek took over as Executive Director and expanded school programs teaching kids usable ceramics and photography skills. Over the years, national figures such as Erykah Badu, Dr. Maulana Karenga, Dr. John Biggers, Haki Madhubuti, Gloria Rolando, Paul Robeson III, Camille Billups, John Handy, Russell Hornsby, Obba Babatunde, Rhodessa Jones, and Stanley Clark visited and/or conducted workshops here.
As use of the facility grew, SDCC began showing its age and limits. More usable space, room and equipment was desperately needed to better support current programming, resident cultural groups and other cultural groups who would like to tour SDCC. Sacrifices, a return to temporary vagabond status, was in order for nearly two years.
Vicki, with help from key people throughout the community, oversaw the SDCC renovation and expansion that completed in 2007 for enhanced facilities in support of the arts. Black Cinetheque Dallas is the oldest Black Independent Film Series in the Southwest. Kumasi African Ensemble teaches and presents traditional African dance. Beckles Dancing Company teaches and presents modern dance. Etta Piper Dance Expressions teaches and presents Jazz, Tap Dance and Modern Dance.
The Arthello Beck, Jr. Gallery with movable panels upgraded SDCC’s ability to present visual art from local residents and attract touring artists. Performing art groups greatly benefit from improved seating, lighting and sound in the black box theatre and fully-sprung dance floors. The ceramics studio has been upgraded as well. Possibly the best upgrade is the Gwendolyn Brooks Reading Library. Its safe and comfortable learning environment for kids to come after school and on weekends.
The local, national and international arts world is responding to the new SDCC. Teatro Dallas, Tulisoma Book Fair & Arts Fest, as well as various touring African American, Nigerian, Cuban performing art groups are coming in 2008 and beyond. hats off to Vicki Meek, whose vision and determination has carried SDCC to new heights in the 21st century.